Lecture at the Centre Pompidou,"Vidéo et après", 2005, June
Bibliographie
General books and monographs (selection) DOY Gen, Black Visual Culture, modernity and postmodernity, London (United Kingdom), I. B. Tauris, 2000. GOLDBERG Roselee, Performance and Live Art Since the 60’s, London (United Kingdom), Thames and Hudson, 1998, p. 143. JULIEN Isaac, NASH M., VERGÈS F., Frantz Fanon, peau noire, masque blanc, Paris (France), K Films Edition, 1998. MERCER Kobena, DARKE Chris, Isaac Julien, London (United Kingdom), Ellipsis, 2001 (Minigraph ; 3). NEVILLE Tom, Isaac Julien, ‘Territories’, London (United Kingdom), Ellipsis, 2001. WEINTRAUB Linda, Making Contemporary Art, How Today's Artists Think and Work, London (United Kingdom), Thames & Hudson, 2003. Exhibition catalogues (selection) Isaac Julien, Montreal, Quebec (Canada), Musée d’art contemporain, 2004. Isaac Julien [Program], Chicago, Ill. (United States), Museum of Modern Art, Spring, 1997. Turner Prize, London (United Kingdom), Tate Gallery, 2001. BABIN David, BEASLEY Mark, BRAUN Alexander, The Gap Show, Dortmund (Germany), Museum am Ostwall, 2002. CRUZ Amada, DEITCHER David, FRANKEL David, The Film Art of Isaac Julien, Annandale-on-Hudson, N.Y. (United States), Center for Curatorial Studies, Bard College, 2000. Creolite and Creolization, Documenta 11_Platform 3 / ed. by Okwui ENWEZOR, Carlos BASUALDO ; texts by Juan FLORES, Stuart HALL, Isaac JULIEN,… Cassel (Germany), Documenta, 2002. New histories / ed. by Lia GANGITANO et Steven NELSON, Boston, Mass. (United States), Institute of Contemporary Art, 1997. IIDA Takayo, Screen Memories, Mito (Japan), Contemporary Art Center, 2002. ILES Chrissie, Scream and scream again, film in art, Oxford (United Kingdom), Museum of Modern Art, 1996. MATT Gerald, Love Hate, Kraichtal (Germany), Ursula Blickle Stiftung, 2003. SANDHU Sukhdev, Strangerthanfiction, Hayward Gallery, London (United Kingdom), 2004. Unpacking Europe, Berlin (Germany), Haus der Kulturen der Welt, 2001. VAN ASSCHE Christine [dir.], New Media Collection, 1965-2005, Centre Pompidou, Taipei (Taiwan), Taipei Fine Arts Museum, 2006. VAN ASSCHE Christine [dir.], Temps de vídeo, 1965-2005, Barcelona (Spain), Fundació La Caixa, 2006. VAN ASSCHE Christine, ZABUNYAN Elvan, VERGÈS Françoise, Isaac Julien, Paris (France), Musée national d’art moderne, Centre Georges Pompidou, 2005.
Writings of the artist and interviews (selection)
« Answer to Questions » [interview], Independent on Sunday, March 9, 2003. GILROY Paul [interview], « Climbing the Racial Mountain, a Conversation with Isaac Julien », Small Acts, Thoughts on the Politics of Black Cultures, 1993. GRUNDMANN Roy, « Black Nationhood and the Rest in the West », Cineaste, vol. 21, n. 1-2, 1995, p. 28-31. JULIEN Isaac, «Isaac Julien on BaadAsssss ! », Artforum, vol. 42, n. 10, Summer 2004, p. 55. JULIEN Isaac, "'Great Blacks in Wax’, Backstage at the Museum », Independent, March 9, 2003, p. 7. JULIEN Isaac, « Black British Cinema-Diaspora Cinema »,New Histories, 1996, p. 60-64. JULIEN Isaac et NASH Mark, Frantz Fanon, Peau Noire, Masque Blanc,1998. JULIEN Isaac et MERCER Kobena, « De Margin and De Centre », Black British Cultural Studies 1996, p. 194-210. JULIEN Isaac et SAVAGE Jon, « Critically Queer », Critical Quarterly, vol. 36, n. 1, Spring 1994. KLOTMAN P. et CUTLER J., « Julien, Isaac, Interview », Struggles for representation, Bloomington, Ind. (United States), Indiana University Press, 1999, p. 36-37. MORROW Bruce [interview], « The Isaac Julien Interview », Callaloo, vol. 18, n. 2 , 1995ation with B. Ruby Rich », Art Journal, Summer 2002. RUHM Constanze [interview], « Spaces of Translation, Speaking One Language, Understanding Another, A Conversation with Isaac Julien », Camera Austria, n. 79, 2002, p. 17-28.
Articles and essays (selection) « Black Film », British Cinema, London (United Kingdom), Institute of Contemporary Art, Documents 7, 1988, p. 53-57. « Die Beute », Edition id-Archive, Summer 1997, p. 62-66. « Isaac Julien, Confessions of a Snow Queen, notes on the making of The Attendant », Critical Quarterly vol. 36, n. 1, Spring 1994. « Face to Interface, Isaac Julien », Sight and Sound, September 1999. « Oedipus Directs », Artforum, Summer 2004, p. 55. « Paradise Found », Guardian, September 6, 2003, p. 70. « Paradise Omeros », Documenta 11, Documenta, Cassel (Germany), 2002. « Still moving »,Hotshoe International, January-February 2000. ADAIR Christy et BURT Ramsay, « Two into the making of Three », Dance Theatre Journal, vol. 15, n. 2, 1999. ARROYO José, « Look Back and Talk Black, The Films of Isaac Julien », Jump Cut, n. 36, 1993, p. 88-97. BEAUVAIS Yann, « Isaac Julien, ‘Snow Queen’ », Art press, n. 305, October 2004, p. 44-49. BERLET Olivier, « Frantz Fanon, peau noire, Masque blanc d’Isaac Julien », Africultures, n. 13, December 1998. BERWICK Carly, “Isaac Julien”, Vogue Homme International, Winter 2002–2003, p. 145. BRUNO Giuliana, « Film and museum architecture, excursus with Gerhard Richter's Atlas », Atlas of emotion, journeys in art, architecture, and film, New York (United States), Verso, 2002, p. 331-357. BONAMI Francesco et OBRIST Hans Ulrich, « Sogni = Dreams », Fondazione Sandretto Re Rebaudengo Per L’Arte, Turin (Italy), 1999, p. 71. BUCK Louisa, « Isaac Julien, ‘Baltimore’, Fact, Liverpool », Art Newspaper, March 2003. CAUCHETEUX Anne-Sophie, « Le ‘Fantôme créole’ d’Isaac Julien », Métro, June 16, 2005. CHAMBERS Eddie, « Johannesburg Biennale », Art Monthly, n. 212, 1996, p. 14-18. CORK Richard, « The Black Half », New Statesman, October 6, 2003. CORK Richard, « Mirage », Times, June 27, 1997. CORK Richard, « Scream and Scream Again », Times, August 6, 1996. CORRIGAN Susan, « Dancing with Dudes », Times Metro, August 12-18, 2000. CORRIS Michael, « Isaac Julien », Art and Text,n. 63, November 1998-January 1999, p. 54-59. COTTER Holland, « Eros Cruises the Museum In a Filmmaker’s Dreams », New York Times, November 24, 2000. CRICHLOW Warren E., « Popular music, Pedagogy and Cultural Politics in the Films of Isaac Julien », Discourse, vol.16, n. 3, 1996. CRICHLOW Warren E., « ‘No guarantees’, pedagogical implications of music in the films of CRIMP Douglas,« Isaac Julien », How To Have Promiscuity in an Epidemic , 1987, p. 270-271. CURLIS David, « A Directory of British Film and Video », Artists, 1995, p. 86-87. DIAWARA Manthia, « Moving Company, the Second Johannesburg Biennale », Artforum vol. 36, March 1998, p. 87-89. DARKE Chris, « Territories, The Tell-Tate Trajectory of Isaac Julien », Isaac Julien, ‘Territories’ / Tom NEVILLE, London (United Kingdom), Ellipsis, 2001, p. 74-79. DARWENT Charles, « The truth is rarely black and white », Independent on Sunday,September 7, 2003. DASS Vasanthi, « Vagabondia, Archiving the Archive », Unpacking Europe, Towards a Critical Reading, 2001, p. 350-355. DIAWARA Manthia, « Black British Cinema and Identity Formation in Territories », Black British Cultural Studies, 1996, p. 293-306. DIAWARA Manthia, « The Absent One, The Avant-Garde and the Black Imaginary »,Looking Fy, “The Moving Image Maker”, Sydney Morning Herald, December 20, 2006, p. 22. ELWES Catherine, Isaac Julien, Art Monthly, June 1999, p. 35-37. ELWES Catherine, « The Big Screen », Art Monthly, n. 199, 1996, p. 11-16. ENWEZOR Okwui, “Towards a Critical Cinema, the Films of Isaac Julien, The Long Road to Mazatlan”, Grand Arts, 2000. FALCONER Morgan,Frieze, n. 79, November 2003, p. 95. FISHER Tony, « Isaac Julien, Looking for Langston », Montage of a Dream Deferred,n. 12, Autumn 1990, p. 59-70. FRANKEL David, « Isaac Julien, The Long Road to Mazatlan », Art Pace, 1999. FREIDSON Michael, « Getting the Shaft », Time Out, August 8-15, 2002. FUSCO Coco, « Young British and Black, a monograph on the work of Sankofa Film-Video Collective and Black Audio Collective », Discourses, Conversations in Postmodern Art and culture, New Museum of Contemporary Art, New York (United States) GAGNON Paulette, « Faire de l’histoire un instrument de conscience réflexive », Isaac Julien, Montréal, Québec (Canada), Musée d’art contemporain, 2004, p. 9-21. GAINES Charles, « Hotter Than July », Art and Text, n. 55, 1996, p. 84. GATES Henry Louis Jr., « The Black Man’s Burden », Fear of a Queer Planet, Queer Politics and Social Theory, 1993. GLOVER Izi, « The Look of Love », Frieze, September-October 1997. GUTHMANN Edward, « ‘Baad’ Company », San Francisco Chronicle, August 13, 2002. HAUSERL Craig, « Abject », Abject Art, Repulsion and Desire in American Art, Whitney Museum of American Art, New York (United States), 1993. HEARTNEY Eleanor, « A 600-Hour Documenta », Art in America, n. 5, September 2002, p. 87-95. HEBDIGE Dick, « The Great Divide, ‘Territories’, Film by Isaac Julien », Prince Claus Fund Journal, n. 7, 2001, p. 20-21. HEISER Jorg, « Batty Boys in Babylon », Spex, n. 162, June 1994, p. 49-51. HICKLING Alfred, « Isaac Julien, Fact Liverpool »,Guardian, March 2003. HINSON Hal, « Birth of a Genre, the Black Hero who Talks Back, New York Times, August 11, 2002. HOOKS Bell, « Thinking Through Class, Paying Attention to ‘The Attendant’ », Reel to Real, Race, Sex, and Class at the Movies, New York (United States), Routledge, 1996, p. 91-97. JOHNSON Ken, « Art in Review, Isaac Julien ‘Baltimore’ », New York Times, July 11, 2003, p. 31. JULIEN Isaac, « Only Angels Have Wings for Dia Centre of The Arts AIDS world », Between Resignation and Hope, 1998, p.142-147. JULIEN Isaac, « Creolizing Vision », Créolité and Creolization, Docummenta 11_Platform3, Osfildem-Ruit (Germany), Hatje Cantz, 2003, 149-155. KALTENBACH Chris, « You could call Him a Renaissance Man », Los Angeles Times, 2003. KATZMAN Lisa, « A World of Double Outsiders, Gay as Well as Black »,New York Times, November 26, 2000. LIU CLINTON Margaret, « Liminal Odyssey, Isaac Julien’s ‘Paradise Omeros’ », Independent Study Program, Critical Studies, Whitney Museum of American Art, New York (United States), Spring 2004. LORES Maite, « Isaac Julien », Contemporary, June-July-August 2002. LUSTFELDT Heather, « At Play in the Fields of the American West », Review, April 2000. M.N. « Isaac Julien », Documenta 11, Cassel (Germany), 2002, p. 126. McCARTHY Cameron [ed.], « IsaacJulien », Sound identities, popular music and the cultural politics of education, New York (United States), Peter Lang, 1999 (Counterpoints ; vol. 96), p. 363-390. MACKRELL Judith, “It’s a step into the unknown, but it’s one worth taking, Isaac Julien and Russell Maliphant, Sadler’s Wells”, The Guardian, October 5, 2007, p. 44. MERCER Kobena, « Busy in the Ruins of a Wretched Phantas Institute of Contemporary Art, 1995. MERCER Kobena, « Avid iconographies », Isaac Julien, ‘Territories’ / Tom NEVILLE, London (United Kingdom), Ellipsis, 2001, p. 6-21. MERCER Kobena et JULIEN Isaac, « True Confessions, Black Male Representations of Masculinity », Contemporary American Art, 1994, p. 191-200. MERCER Kobena, « Dark and Lovely », Ten Photo Paperback, vol. 2, n. 1, 1991, p. 78-86. MEYER James, « Tunnel Visions », Artforum, September 2002, p. 168-169. MILIN Zorka, « Isaac Julien teaches mini-course in Africana studies at Grinnell », Scarlet & Black, vol. 117, n. 6, October 6, 2000. MUHAMMAD Erika, « Reel Stories, Isaac Julien », Index, June-July 2000. MURPHY Siobhan, « Powerful Tales of Transition », Time Metro, n. 22, September 15, 2003. NASH Mark, « Wait Until Dark », Tate, November-December 2002. NOCHLAN Linda, « Documented Success », Artforum, September 2002, p. 161-163. O'BRIEN Michelle Esther, « Diasporic visions of desire, black and queer communities if the films of Isaac Julien», Dreaming our desire, insurgent promise in queer artistic practice, Saint-Paul, Minn. (United States), Macalester College, 2000. PALMER Judith, « Once upon a time in the West », Independent, September 19, 2000. PONIEWOZIK James, « Can you Dig it ? Right on ! », Time, August 19, 2002. READ Alan [ed.], « Film-makers’ Dialogue », The Fact of Blackness, Frantz Fanon and Visual Representation, 1996. REID Calvin, « Funk Renaissance », Art in America,March 2004, p. 92-95. RICHARD J. Powell, Black Art and Culture in the Twentieth Century, London (United Kingdom), Thames and Hudson, 1998, p. 212-213. ROSE Jacqueline,« Sexuality and Vision, some Questions, Vision and Visuality », Dia Art Foundation, n . 2, 1988. RUBY RICH B., « Still A Soul Rebel », Advocate, May 14, 2002. RUSSELL TAYLOR John , « Is it a film ? Is it a video installation ? », Times,September 17, 2003. RUSSELL TAYLOR John, « The Matter of Fact », Times, March 12, 2003. SADHU Sukhder, « Odyssey of a Lost Soul », Daily Telegraph, September 24, 2003. SCHWENDENER Martha, “Isaac Julien”, New York Times, November 2, 2007, p. E 33. SCOTT Andrea, « Isaac Julien, ‘Paradise Omeros’ », Time Out, July 24-31, 2003, p. 47. SEARLE Adrian, « Reviews–Art », Guardian, September 8, 2003. SEARLE Adrian, « Winsome Cowboys », Guardian, August 22, 2000. SEARLE Adrian, « Thumping Pleasure », Artscribe, n. 89, November-December 1991. SAYNAR James, Interview Magazine, January 1992, p. 24. SILVERMAN Kaja, « The Ceremonial Image », Threshold of the Visible World, 1996, p.104-121, . SMITH Roberta, «Paradise Omeros, Bohen Foundation», New York Times, July 11, 2003. STAM Robert, « Permutations of the Fantonian Gaze ; Isaac Julien’s ‘Black Skin White Mask’ »,Black Renaissance Noire,vol. 1 n. 2, Summer-Autumn 1997, p.186-192. THÉLY Nicolas, “Isaac Julien, cineaste en noir et blanc”, Beaux-arts Magazine, n. 253, July 2005, p. 46-47. THORNSON Alice, « Lonesome Cowboy, Issac Julien disrupts the western canon with gay-themed film at Grand Arts », Kansas City Star, March 19, 2000. TRETIAKOFF, David G., “Fantôme créole”, UPstreet, n. 54, p. 52-53. VAN BOGAERT Pieter, « Afrika zonder grenzen », Tijd, June 22, 2005 VARADARAJAN Tunku, « Shaft and Foxy Revisited », Wall Street Journal, August 9, 2002. WALTERS John L., « Noises at an Exhibition », Guardian, September 29, 2000. WEI Lilly, « Isaac Julien at the Studio Museum in Harlem », Art in America, May 2001 p. 168. WHITE Armond, « Badass is Back », New Yoxamination », New York Press, July 9-15, 2003, p. 42. WHITE Armond, « Racing Ahead », Film Comment, 1988, p. 2-4.
